{"id":730,"date":"2024-03-14T17:31:39","date_gmt":"2024-03-14T17:31:39","guid":{"rendered":"https:\/\/umcoletivo.pt\/?page_id=730"},"modified":"2025-02-04T15:54:06","modified_gmt":"2025-02-04T15:54:06","slug":"edicao","status":"publish","type":"page","link":"https:\/\/umcoletivo.pt\/en\/edicao\/","title":{"rendered":"Edition"},"content":{"rendered":"

Edition<\/span><\/h1><\/div>
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Rescuing forgotten voices means recovering word<\/span> in all its forms: the spoken word, the heard word, the written word, and also the written word, which is often the only direct material that comes to us from many women. If it's true that the impact of the poetic creations resulting from the VENTRILOQUIA project could be long-lasting in the memory of the spectators and participants (after all, memory is the organic archive par excellence), it's also true that the material produced by these women deserves to have its physical support, guaranteeing its immortal place in the history of Portuguese literature.<\/p>\n

The works published in the VENTRILOQUIA Collection<\/span><\/strong> are carefully selected examples, both for their diversity (conceptual, experiential, geographical) and for their proximity to the shows performed, in an editorial collaboration with Livraria Tivre de Papel.<\/p>\n

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